February, 2005 - So how about this one....I was at a small birthday party in New York a couple of weeks ago and ended up sitting at a table with Kurt Vonnegut. Now I knew that he might be there, and by the way he is (and I mean this) my favorite writer of all time, so I had a copy of Fields and Fences on me ready to give to him if the opportunity gracefully presented itself. At some point we struck up a conversation, not about his work (what do I say that's enough about that?) but about the music business. We ended up speaking for perhaps forty-five minutes. He’s eighty-three years old but his eyes are six. It was incredible having the chance to sit there with him. Near the end of our conversation I handed him the CD and said it would be a great honor if he would accept it. He immediately opened it, took out a pen and asked me if I'd sign it for him. Has a more humbling or satisfying thing ever happened in my career as an artist/writer....no.

I've been writing for and with other people almost full time since Fields and Fences was completed. I haven’t been playing out almost at all...I'm sorry. Sorry because playing these songs is why I wrote them. Keep watching and email me if you like (I eventually see them all), I hope to be playing near you soon. I will be writing and perhaps playing in Belgium, France and the UK in the spring and summer, I'll let you know where and when.

One last thing....if you haven't seen the pictures of Titan, the largest moon of Saturn, that were sent back by the Huygens probe, then you've got to go to the the web site of the European Space Agency. At first the pictures don't look like much, black and white patches oddly quilted together. But one appears to be of a mountainous coast line with river basins. You've got to stare at that one and think about it being a world 840 million miles away and a camera that traveled eight years to get there. Then read Vonnegut’s "Sirens of Titan"...then look at that picture again. Now that will keep your eyes six-years-old.

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September, 2004 - Here’s the thing...I haven’t been playing out much. I promised you and me that I would but it just hasn’t come together yet. I’m working on it. What I have been doing, thanks for asking, is writing and recording a lot. Primarily with an artist I call Emma Foxall. We began writing together over a year ago after I saw her do a show and fell in love with her voice. We’ve created this Bossa-Nova, alternative, pop, bengali (not necessarily in that or any distinct order) vibe. We’ve just gotten it to the point where we are shopping a deal for her. It’s not "Fields and Fences" that’s for sure. It’s more of a "Peter Gabriel meets Elis Regina for cocktails in a small club in Paris where classically trained Indian musicians are playing Roxy Music covers, and over the course of the evening they have a beautiful, but eventful, love affair" kind of a thing.

I did recently record a "Songwriter’s Circle" for National Public Radio (http://wpln.org/songwriters/) with Phil Lee and Joy Lynn White, and a cable TV show called "Words and Music" for WTVF channel 5, with Suzannah Spring, http://www.newschannel5.com/content/fiveplus/967.asp.

"Fields & Fences" is doing well. Bonnie Bramlett (of Delany and Bonnie) heard it and was gracious enough to ask that we write together, which we did. She was, and is, great to work with. What a voice. We came up with a song called "Waiting On the Rain" that I hope you’ll be hearing soon.

That’s enough for now, I have unfriendly sinuses and I can’t think straight, or stop hearing music. That’s what my mind seems to do when my head hurts, tries to drown it out with song, it doesn’t work and I get caught in between. Everybody!..."Oh Suzy Q, Oh Suzy Q....."

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March 3, 2004 - Suddenly it's warm here in Nashville. My garden would be coming up if our dog hadn't dug up and eaten the bulbs over the winter.

I just found out that I'm playing a Tin Pan South show with Holly Williams (Hank Jr.'s daughter and of course Hank Sr.'s granddaughter), Marcus Hummon (wrote "Ready to Run" for the Dixie Chicks and "One of These Days" for Tim McGraw among lots of others) and Marv Green (wrote Amazed for Lonestar). We're evidently on just before Kenny Loggins. The show is at 12th & Porter in downtown Nashville on April 1st. I've played with both Holly and Marcus before, don't know Marv but it ought to be fun.

They found undeniable evidence of once flowing water on Mars yesterday.

Kind of scary...makes you realize how completely things can dry up. I'm hoping that they discover there was also life. That there was intelligent life. I want them to turn a corner on some barren red-rock landscape and see a little scratched-out picture done a billion years ago by an unimaginable guy who sat by what was a river. I don't care much what the scratches mean, just that some witness took the time to say "I was here" and it lasted.

Oh yeah....Tricia Yearwood was excited about cutting "From Now On" (first song off of "Fields & Fences") in December. Unfortunately the excitement wore off. Dogs dig up your garden and rivers turn to dust.

That's just the way it is sometimes. Hope you're well.

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December 5, 2003 - So now it's almost 2004. Three years after the Space Odyssey, twenty past Big Brother, thirty-nine since The World of Tomorrow fizzled out.

But you know... I'm feeling all right. Things have gone completely haywire outside my little bubble, but the bubble has grown a bit and in here I'm dangerously content.

..The cd is out, of course, and available a couple of pages back. We played a cd release show at Nashville's "12th and Porter Playroom" in November. I and several of the players from the cd plus Chas Williams on dobro did most of the cd for a good crowd. Everyone seemed to have a good time, I know I did. We're still figuring out the details, distribution, booking, cologne, etc.

Oh yeah...before the "official" cd release show I did a house concert with an acoustic, more streamlined version of the band for fifty or sixty people. It was a lot more fun than I'd expected. So much so that we're going to do a few more, here in Nashville, in New York, L.A. and perhaps San Francisco.

That's all to tell. Except it does look like "From Now On" is going to show up on a bigger record than mine, I'm not telling who's yet...superstitious you know. My show dates will multiply and expand, I promise. If you want to be on the e-mail list use the contact page, you don't even have to say anything. If you know Wendell Berry have him call me. Hope you're well.

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July 9, 2003 - It’s 8:30 in the morning and I’m half way through a cup of coffee. Nashville is in it's "hot and muggy" stage of summer now but I refuse to turn on the air-conditioning until I get dizzy. When it gets like this things start coming out of the woods. Yesterday I had to buy a pellet gun because a big coyote stared me down in my back yard. He had that spooky, smart look in his eyes that said, "I'm here to eat your cat, don’t try to stop me". I don't want to kill him, just worry him a little.

Did a demo session (songs that my publisher will pitch to other artists) last week. It seemed to work. Two of the songs were written with and for new rock artist Savannah Snow....kind of Aerosmith meets Macy Gray in Mississippi.

Let me tell you about tracking Fields and Fences. We spent two days at the Sound Emporium here in Nashville with some of my favorite musicians; Steve Brewster and Shannon Forrest on drums, Allison Prestwood on bass, John Willis, Russ Paul, George Marinelli, and Gary Burnett on guitars, dobro, banjo and steel, Tammy Rogers on violin, mandolin and bazouki, and Jon Mock on whistle, bodhran and concertina. Those people are so good you don't know whether to sing along or stop and listen. Some combination of them will be the live band. I was lucky to have artists Georgia Middleman, Savannah Snow, Harry Stenson and Joy Lynn White come in to sing back up vocals. Herb Tassin engineered and co-produced and Jay Fenstermaker assistant engineered. There you go.

Now we're dealing with the details, so the truth is there's not much real news to tell. Over the next few weeks there will be bookings and distribution and reviews to talk about. But for now it's writing and rehearsals. I’ll come out of the woods sooner or later. Everything does.


 


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